creative industries

What does the Australian census tell us about how artists earn their living?

The Creative Economy Report Card provides a snapshot of key facts about Australia's creative industries, the creative workforce and businesses -- based on analysis of national statistics and reports.

Abstract

It has now been over a decade since the concept of creative industries was first put into the public domain through the Creative Industries Mapping Documents developed by the Blair Labour government in Britain. The concept has developed traction globally, but it has also been understood and developed in different ways in Europe, Asia, Australia, New Zealand and North America, as well as through international bodies such as UNCTAD and UNESCO.

One of the most wide-ranging and sophisticated critiques of creative industries policy argues that it is a kind of Trojan horse, secreting the intellectual heritage of the information society and its technocratic baggage into the realm of cultural practice

This paper explores the rise of cultural economy as a key organising concept over the 2000s. While it has intellectual precursors in political economy, sociology and postmodernism, it has been work undertaken in the fields of cultural economic geography, creative industries, the culture of service industries and cultural policy where it has come to the forefront, particularly around whether we are now in a ‘creative economy’.

This paper traces how the concept of globalisation has been understood in media and communications, and the ongoing tension as to whether we can claim to be in an era of ‘global media’. A problem with this discussion is that it continues to revolve around a scalar understanding of globalisation, where the global has superseded the national and the local, leading to a series of empirically unsustainable, and often misleading, claims.

Faculty Seminar Series

Professor Justin O’Connor, Research Capacity Building Professor Tuesday 28th April 12pm-1pm The Hall (Z2-226) CI Precinct QUT Kelvin Grove

Creative labour: emancipation or honey-trap?

Why_do_some_ideas flourish and others fail?
Why is independent thought valued in some societies and discouraged in others?

Ecology is the study of how organisms relate to their environment. Following on from the success of his 2001 book The Creative Economy, leading thinker John Howkins applies ecological principles to the concepts of creativity and innovation, generating Creative Ecologies.

Whether we describe them as Gen Y, the Net Gen, the Millennials or the Yuk/Wows, today's young people have grown up in a highly technologised environment. They interact, engage and disengage with greater speed and choice than ever before. But are they equipped for a work future in which creativity has become the defining feature of economic life?

The following papers, from the Creating Value Conference (hosted by CCI, 25 - 27 June 2008, Brisbane), have been peer reviewed as per HERDC Category E1 specifications.