broadcasting

The ALRC review of the national classification system

Authors: 
Terry Flew
Publication date: 
7 June 2011

On 24 March 2011, Attorney-General of Australia, the Hon Robert McClelland MP, asked the Australian Law Reform Commission (ALRC) to inquire and report on the framework for the classification of media content in Australia.

A data picture of Australia’s Arts and Entertainment Sector 2010

Authors: 
Sandra Haukka
Publication date: 
10 March 2011

Australia’s Arts and Entertainment Sector underpins cultural and social innovation, improves the quality of community life, is essential to maintaining our cities as world class attractors of talent and investment, and helps create ‘Brand Australia’ in the global marketplace of ideas (QUT Creative Industries Faculty 2010). The sector makes a significant contribution to the Australian economy. So what is the size and nature of this contribution?

The Media and Communications in Australia, 3rd edition

Authors: 
Stuart Cunningham, and Graeme Turner
Publication date: 
15 November 2009

A fully revised edition of the leading Australian introductory text on media studies, incorporating extensive analysis of the impact of communications.

Who will pay for online news?

Authors: 
Terry Flew
Publication date: 
27 September 2009

With the revenue downturn for Fairfax Media being announced on Monday, I got the call from Ashley Hall at the ABC’s PM program to give my opinion. At 2.45pm I may not have been sure that I had an opinion, but the nature of the relationship between news journalists and academics is that it would be good for all concerned if you could get an opinion, and give that to us to put on air. With Crikey publisher Eric Beecher and former ACCC head Allan Fels also offering their opinions, I was in good company on the PM program.

Creative Labour: Emancipation or Honey-Trap?

Publication date: 
28 April 2009

Faculty Seminar Series

Professor Justin O’Connor, Research Capacity Building Professor Tuesday 28th April 12pm-1pm The Hall (Z2-226) CI Precinct QUT Kelvin Grove

Creative labour: emancipation or honey-trap?

Public broadcasting looks for a future

Publication date: 
27 January 2009

The pay TV industry has opened up a new front in its battle with free-to-air, writes Margaret Simons

The ABC - and SBS - of social innovation

Authors: 
Terry Flew
Publication date: 
25 January 2009

Public service broadcasting was one of the great 20th century social innovations in media. The aim of public service broadcasters (PSBs) was to seek to harness the new mass media towards social purposes. These included nation-building, mass education, strengthening the information base of democracies, and broadly-based cultural improvement, particularly in areas such as documentaries, news and current affairs, and children’s programming.

Social innovation, user-created content and the future of the ABC and SBS as public service media

Authors: 
Axel Bruns, Stuart Cunningham, Terry Flew, Jason Wilson
Publication date: 
12 December 2008

Submission to the ABC and SBS Review, Department of Broadband, Communications and the Digital Economy.

Copyright as an instrument of information flow and dissemination: the case of ICE TV Pty Ltd v Nine Network Australia Pty Ltd

Authors: 
Brian Fitzgerald, and Ben Atkinson
Publication date: 
16 October 2008

This article outlines and critically evaluates the case of Ice TV v National Nine Network. This case which is being heard before the High Court of Australia in October 2008 considers the boundaries of copyright protection for compilations.

Maintaining relevance: cultural diversity and the case for public service broadcasting

Publication date: 
24 June 2008

Download paper: Maintaining relevance

SBS has been the subject of some heated debates about funding models, commercial activity, perceived 'populism' and the continued relevance of publicly funded media. These debates and challenges are not unique to SBS or to Australia. Public Service Broadcasting (PSB) in many contexts is facing a 'crisis of legitimacy' as it struggles to retain audiences in the face of new technologies, rapidly globalising media, and the rejection of traditional patterns of media usage, particularly among younger generations.