This report documents the circumstances and experiences of 3 remote Indigenous communities in central Australia and outlines the reasons for the low level of internet take-up, and considers the future prospects for ‘home internet’ in these communities.

Australia currently lacks a mechanism to gather evidence on the formation of public attitudes to the introduction of new technologies, particularly the formation of attitudes to nuclear energy technology.

This is a limiting factor in achieving informed debate in the development of a national energy policy.

These are key findings in a research project recently completed by the National Academies Forum. Its report, Understanding the Formation of Attitudes to Nuclear Power in Australia, will be released today at a CEDA function in Perth (details below).

The Creative Economy Report Card provides a snapshot of key facts about Australia's creative industries, the creative workforce and businesses -- based on analysis of national statistics and reports.

Abstract

It has now been over a decade since the concept of creative industries was first put into the public domain through the Creative Industries Mapping Documents developed by the Blair Labour government in Britain. The concept has developed traction globally, but it has also been understood and developed in different ways in Europe, Asia, Australia, New Zealand and North America, as well as through international bodies such as UNCTAD and UNESCO.

Julian Thomas
The Australian
February 22, 2010 12:00AM

CONFUSION and disarray surround Stephen Conroy's decision to rebate licence fees for commercial television broadcasters.

The decision raises the most basic question that can be asked about government dispensation of any kind: what was this money for?

There are young Australians who are already making a name (and money) for themselves in the latest market for creative content – and it didn’t exist a moment ago. YouTube is a huge repository of amateur content, but it is also rapidly evolving into a site that has legally contracted Hollywood movies and TV shows but is working out ways to share revenues from advertising with gifted and committed amateurs whose creativity attracts a big following.

Can government play a role in assisting Australian creative talent to catch some of dynamism of emerging markets for culture?

Outlining their radical new roadmap for cultural R&D, the authors’ proposals challenge two entrenched prejudices, which block arts and cultural organisations from playing their full role in society and economy.

Australian Financial Review

Creativity is today’s ultimate black box a Rorschach blot onto which there are projected innumerable meanings. When academic Richard Green reviewed the literature recently, he found so much variation that he concluded the field was ‘so attenuated, extenuated, or misunderstood that operationalising of the key concepts is missing or impossible’. He tried to order the field, and constructed a profile of 42 models of creativity which, when combined with assorted variations and typologies, totted up 303 variables!

Faculty Seminar Series

Professor Justin O’Connor, Research Capacity Building Professor Tuesday 28th April 12pm-1pm The Hall (Z2-226) CI Precinct QUT Kelvin Grove

Creative labour: emancipation or honey-trap?

We propose a new definition of the creative industries in terms of social network markets. The current definition of the creative industries is based on an industrial classification that proceeds in terms of the creative nature of inputs and the intellectual property nature of outputs. We propose, instead, a new market-based definition in terms of the extent to which both demand and supply operate in complex social networks. We review and critique the standard creative industries definitions and explain why we believe a market-based social network definition offers an analytic advance.

The production of knowledge has become central to economic life. Competitiveness in the 21st century market place is now characterized by the ability to translate scientific and technological knowledge into innovation. But does this render cultural and social knowledge unimportant?

This paper suggests that the forgotten domain of the complex and vigorous debates about the future of higher speed broadband in Australia is the experience and expectations of users and consumers with broadband. Research to date about such user experiences, especially in Australia, has essentially concentrated on Internet services and mainly with narrowband users. Yet Internet is not broadband. We, in Australia, have much to learn from recent European experiences with broadband.

A bird's-eye view of new Western European broadband systems shows just how far Australia is lagging behind, and just how much we are missing out on.

Considerable attention has been given in recent months to the complexity of issues surrounding broadband policy for Australia. While there appears to be widespread support that Australia needs to move from what might presently be called `rudimentary' or possibly `adequate' broadband, and largely only for urban dwellers, there are many calls for the urgent availability of `enabling' broadband. The unravelling of these terms depends upon what users expect from broadband, what speeds they require, and how much they are prepared to pay for the service.

This paper outlines the notion of a 'user centred' broadband system because so little attention is generally given to the demand side of the side of the broadband roll out equation. The author suggests that the Netherlands, Europe's leading county for broadband usage, has created one of the most remarkable models with its Kenniswijk experiment. Over 1000 users were invited to submit proposals for the kind of broadband services they wanted, and test beds subsequently built many of those services that were initially offered for free.